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Sheff G Talks His Career-Defining Songs ‘No Suburban’ and More

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Define Me
Words: Peter A. Berry
Editor’s Note: This story initially appeared within the Winter 2020 subject of XXL Magazine, on stands now.

Brooklyn’s Sheff G is without doubt one of the most vital new faces within the borough’s drill motion. Since dropping his breakout track, “No Suburban,” in 2017, Sheff constructed his momentum by unloading 5 solo initiatives, together with Chase a Bag (2018), The Unluccy Kid (2019), Just 4 Yall (2020), One and Only (2020) and and Proud of Me Now (2020). Using his granite-toned voice, blunt lyrics and U.Ok. drill beats to energy his tracks, he’s solidified his spot as considered one of New York City’s fastest-rising artists. Speaking with XXL for Define Me, Sheff G breaks down a few of his career-defining songs.

“No Suburban”
“It put Brooklyn more on the map. Some people was saying it was lit. Then you have people saying I sound like I was from the U.K. The nigga AXL [Beats] was from the U.K. They started comparing me to the U.K. people and the beatmakers started putting my name with the U.K. artists’ names. That’s how I got in tune with the U.K.”

“Flows” that includes Sleepy Hallow
“‘Flows’ was the first song to me that I ever switched up my flow from drill. It’s more relaxed. It’s more about pain. I was emotional when I made the song. I was really just talking. I was trying to talk to my fans and let them know like, it get better. I just was finding out myself. Like, I could make different types of music, I didn’t even know.”

“We Getting Money”
“I made that song after I got my first official check from this music shit. It was about, ‘This is the first step to us getting to where we got to get.’  It wasn’t the final step. We knew that. So it was just lit in that moment. Now, we know we on top of our game and it’s time to start doing what we doing.’ [On the hook] I was not playing. ‘Please don’t act like you know me.’”

“Play for the Members”
“That’s one of my underrated tracks. You got to really tune in and listen. I was switching up my flows on the drill side. The flows that I used on that track is the flows people use as the choruses for songs today.”

“Panic 2” that includes Sleepy Hallow and Double G
“[‘Panic Part 2’] showed that we was the first ones using the U.K. beats. That’s the song I came back with after I cut my hair. I got cut, [in a fight]. Got cut, cut my hair. Everybody already knew, but nobody knew what was going on because I was wearing durags. We already had the ‘Panic’ shit going on. It was ‘[Part 2]’ coming up, so everybody was waiting. They was expecting to see what’s under my durag.”

Check out extra from XXL’s Winter 2020 subject together with our DaBaby cover story, an introduction to DaBaby’s Billion Dollar Baby Entertainment label roster, an interview with South Coast Music Group founder Arnold Taylor, who discovered and signed DaBaby, considered one of King Von’s last interviews, how the coronavirus changed hip-hop, we meet up with Flipp Dinero in What’s Happenin‘, Rico Nasty talks about rediscovering who she is as an artist, Marshmello reveals the rappers he desires to work with in Hip-Hop JunkieShow & Prove interviews with The Kid LaroiFlo Milli, and Iann Dior, we take a better have a look at how rap music gets leaked, producer LilJuMadeDaBeat shares how he made Megan Thee Stallion’s hit song “Body,” Kash Johns, founder of Winners Circle Publishing, discusses what makes a hot producer, get to know hip-hop’s hottest new collective, Spillage Village and extra.

See Photos of XXL Magazine’s Winter 2020 Cover Shoot With DaBaby

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Newssheff gsheff g chase a bagsheff g flowssheff g just 4 yallsheff g no suburbansheff g one and onlysheff g panic 2sheff g proud of me nowsheff g the unluccy kidxxl magazine
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