Sum 41’s Deryck Whibley Says ‘All Killer’ ‘Wasn’t That Great’

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Looking again on Sum 41‘s All Killer No Filler, the Canadian pop-punkers’ 2001 main label debut, Sum 41 frontman Deryck Whibley would not rank the album too extremely among the many band’s work.

Still, the album’s celebrating its 20th anniversary, and a retrospective is so as. So, speaking to Billboard this week (April 7), Whibley spoke with the good thing about hindsight in recalling his profession beginnings as a 21-year-old musician who skyrocketed to fame alongside along with his merry band of guitar-wielding pranksters. It all occurred due to All Killer No Filler, launched on May 8, 2001. But the file itself is lackluster — in case you belief an analysis from the singer and guitarist.

“I’ve always felt it wasn’t that great, if I’m being honest,” Whibley admitted. “I never quite understood — to a point where it’s almost like, when people tell me it means a lot to them or it was a really good album compared to other records, I always think they’re lying. I’ve always felt like, ‘Have you listened to it lately, though? I don’t know if it holds up.'”

He added that, when All Killer No Filler acquired as profitable because it did, he “had an immediate embarrassment. Almost like you become ashamed of your own success. In some way, I feel like it snuck through and everyone’s going to find out soon that it’s not that good. Like I sort of cheated my way, somehow. That’s kind of what I’ve always felt about that record. I think if I listen to it now as I’m older, maybe I can be a little bit more objective. But for the longest time, I thought it wasn’t a very good record.”

Anyone can colour one thing they did 20 years in the past with some quantity of remorse — it is comprehensible. But that does not make Sum 41’s success any much less spectacular. The group’s rise from storage band to punk rock superstars is a Cinderella story for younger musicians all over the place.

“We sent our music out first, and it got turned down by everybody,” Whibley remembered of a time when Sum 41 have been making an attempt to get signed and the sophomoric hijinks of Jackass have been all the craze. “We would film ourselves doing stupid stuff like drive-by water gunning people, egging houses, and cut it with some film of our shows. I put this thing together, just for our friends, and our manager saw it and said, ‘This is great. Let’s put a three-minute video together with your music, we’ll send this out to record companies.'”

After that, “it was a matter of weeks,” the musician continued. “Every label in the U.S. was trying to sign us, and it turned into a big bidding war.” An wonderful feat contemplating “it was the same music — that was the funniest part. That music was already turned down by everybody.”

Whatever Sum 41 have been doing again then, it definitely related with listeners, no matter whether or not Whibley thinks it is good now. But Maybe All Killer No Filler actually did have just a little little bit of filler, in spite of everything.

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